An interview with Dezeen about Future Remnants

"The Netherlands has quite a reputation for it: we are a major drug country, and what happens is that the waste is being dumped in backcountry and forests," van der Eijk told Dezeen."Trucks full of barrels with chemical substances are pulled off the truck with a rope, causing them to land with a bang, making them leak from the moment of dumping," she continued.

Material District explains the concept behind Future Remnants

"However, no matter how aesthetically appealing the affected metals may look, the project also evokes worry. After all, if these effects are reached with chemicals that are considered to be relatively harmless and safe, in a very short timespan, what is happening in places where much more harmful chemicals are dumped in the environment over the course of decades?"

Dutch Design Daily writes about Future Remnants

Dutch online magazine Dutch Design Daily writes a lovely article on Future Remnants as part of Dutch Invertuals' Mutant Matter.

Digicult writes about sound pollution installation Seasynthesis

"She registered the erratic rhythms of ship propellers and underwater activities in the North Sea where the construction of offshore wind farms causes a constant industrious clamor. It will come as no surprise that all this noise is a serious disturbance of marine life—which inevitably brings us to the topic of human influence on the environment."

New Scientist writes about Seasynthesis

New Scientist magazine writes a review of Life Time in an article called: "A glimpse of time". In the article, Seasynthesis is given as an example of impressive immersive art discussing important ecological issues.

LSN:Global writes about As Above So Below

Spotted at Milan Design Week, LSN: Global wrote about As Above, So Below. "Through their project, Van Noort and van der Eijk propose that the resource could be gathered in the future through ‘crowdmining’, opening the practice up to the public as a potential source of profit."

Best of London Design Week according to Inhabitat

Listed as one of the 13 most "thought-provoking designs" seen at London Design Week, Inhabitat writes up an article on As Above, So Below.

Design Indaba sees the potential of micrometeorites

"As Above, So Below uses micrometeorites to communicate an important message," writes Designindaba. A nice article on our search for stardust.

VICE loves decaying, fluorescent algae

The Creators Project interviewed me about my latest installation Estuary, an elaborate report is now online!

Creative Boom writes about my fluorescent algae

"Estuary installation at Fluid Matter exhibition showcases fluorescent algae bio-art": Creative Boom dedicates an article to Estuary, on show at MU Artspace in the exhibition Fluid Matter.